
National Assembly of the Resistance
Every Sunday the National Front of Resistance against the Coup d'Etat in Honduras holds an assembly at the Union of Beverage Workers (STIBYS) headquarters in Tegucigalpa. This union hall has been converted into the headquarters of the resistance over the last three months since the elected President of Honduras, Jose Manuel Zelaya, was forcible removed from power in the middle of the night by U.S.-trained army generals. At the weekly assemblies of the resistance to the coup, hundreds gather to decide on the actions for the week, to debate strategies and make work plans, and to share news and words of inspiration from the struggle to restore democracy in Honduras. Participatory democracy is both the goal and the method of the movement against the coup and for a national constitutional assembly in Honduras. Just as the resistance fights to re-write the constitution to guarantee that the dispossessed have a direct say in the decisions of government, they conduct this fight by ensuring all sectors of society have a direct say in the path of struggle.

The music playing in the main hall begins to fade out and we hear the call for the assembly to start. The room becomes packed with people and banners proclaiming “No to the coup” and “Honduras Resists Morazán [the Honduran independence leader] is in the Streets” stretch out along the walls. Over the next two hours we hear a combination of testimonies, speeches, reports from neighborhood resistance work groups and calls to action.



Concert in Santa Ana
Art, music, theater and dance have been a fundamental part of the resistance struggle in Honduras. In the face of a dictatorship that has now killed 26 people, jailed hundreds and beaten thousands, it may seem surprising to find people still
finding time to laugh, to dance, to explore and enjoy the beauty of humanity's creative potential. Rather than a luxury or a side show, art has been a necessity for the resistance. This ethic of resisting the dictatorship both in the streets and on the stage was on full display on Sunday in Santa Ana, a small community about a half hour outside of Tegucigalpa.

Along with many other people from the resistance assembly, our delegation drove out to join the residents of Santa Ana's resistance committee for a resistance concert after the assembly finished. In the middle of a vast green plain surrounded by mountains underneath a blue sky and bright sun, a stage had been set up by the local community where, as we pulled up into the crowd, a work of “theater of the oppressed” was about to take place. A talented cast of dynamic actors convoked the many kids in the audience to take seats in front of the stage as they prepared to perform a play originally written to make fun of the Pinochet dictatorship in Chile called “el Generalito.” The play makes fun of a short general who commands from his platform that all the citizens walk on their knees to make him feel taller and orders them to paint their houses grey and black.


No comments:
Post a Comment